Kuhaylan Jellabi versus Saqlawi Jedran

"I could while away the hours, conferrin' with the flowers, consultin' with the rain...And my head I'd be scratchin', While my thoughts were busy hatchin', If I only had a brain."-the Scarecrow from the movie, The Wizard of Oz

Have you visited Edouard Al-Dahdah's blog, Daughter of the Wind? It is more than great reading, it is absolutely essential reading for any enthusiast of the Asil Arabian Horse. I strongly recommend this site to anyone who wants to expand their knowledge, regarding authentic desert breeding. I personally guarantee that you will leave his website, knowing a little more, than when you first clicked on his pages.
Edouard says that there are no Asil Kuhaylan Jellabi horses left, outside of the Kingdom of Bahrain. Edouard says that horses like *Fadl, *Maaroufa and their descendants are tail female Saqlawi Jedran strain horses. Edouard says that the last Asil Kuhaylan Jellabi horse was the 1911 mare, Kerbela (Ibn Yashmak x Kantara).
HUH?
In America, we have been taught, over the years, by people like Carl Raswan and Judith Forbis that the strain of Kuhaylan Jellabi is alive and well, thanks to Henry Babson and the mare he imported from Prince Mohamed Aly Tewfik's Manial Stud in 1932, *Maaroufa. As a matter of fact, if it were not for this mare, the strain of Kuhaylan Jellabi would be lost to Egyptian Arabian Horse breeders everywhere.
Michael Bowling, a geneticist and Crabbet/CMK Arabian Horse breeder in California, studied the mtDNA of the *Maaroufa horses, comparing and contrasting the mtDNA of these horses with the mtDNA of horses descended from Bint Helwa and also with the descendants of the mare, Jellabiyat Feysul. He wrote a wonderful article about his findings titled What's In a Name? Counting Doves a Century After They Hatch (PART ONE) and (PART TWO) which was originally published in the October 1998 issue of Arabian Visions.
SO, WHAT HAPPENED?
Michael Bowling determined that the mare, Bint Yemama (maternal grandmother of *Maaroufa) shares the same DNA with Mesaoud, the stallion whom the Blunts purchased from Ali Pasha Sherif and who revolutionized the early program at Crabbet Park. The *Maaroufa descendants do not share the same DNA with Makbula , a mare who is a true descendant of Jellabiyat Feysul (her maternal great-great grandmother).
So, let's revisit the photograph of the straight Babson Egyptian horse, Fadl Dan (Fabah x Fada). In a previous blog post, I said the following,

Of the three stallions, Fadl Dan is the only horse who physically embodies the characteristics that we accept as being from the Kuhaylan Jellabi strain. His silhouette was comprised of rounded lines, more substantial in body, muscular, wider chested, powerful shoulders, well-muscled forearms, a shorter, thicker, crestier neck and larger, rounder jowls. It is interesting that of all three horses, the source of Kuhaylan Jellabi is closer in his pedigree, than the other two horses, as *Fadl sired his father, his maternal grandfather and grandmother. I am not surprised by Fadl Dan's phenotype, as he is concentrated in the blood of the horses who sire this type of horse more consistently.

Looking at his phenotype, Fadl Dan does embody the characteristics for which we recognize as Kuhaylan strain. He is a robust horse, strongly masculine in his appearance, heavily muscled, his physique comprised of round, curvy lines; the kind of horse for which Raswan coined the term "3-circle horse". The physique of Fadl Dan is completely opposite of the phenotype which we have accepted for a Saqlawi horse, which is willowy, stretchy, with more "length" in the lines of the body than the compactness which we see present in Fadl Dan, whom by the way, we have always considered to be a true representative of his strain.
WHICH STRAIN?????????
All of our reference materials, be it photographs, videos and all of the scholarly research, published into book form, still recognizes the *Fadl and *Maaroufa horses as members of the Kuhaylan Jellabi strain, eleven years after Michael Bowling published his landmark findings. Nine years later, we, me and you are still referring to these horses as Kuhaylan Jellabi.

For me, the problem is much bigger than just accepting that these horses are Saqlawi Jedran. For me, the problem points out that strain-to-phenotype is not a correct philosophy, as I once believed. What I once accepted as Kuhaylan strain characteristics; I find now to be embodied in Saqlawi strain horses. In a breed which catalogues horses by the tail female strain, this turns everything we understand upside down....which by the way, seems to be the position in which I find myself in, most of the time. I once read that CHANGE is what people fear most, even more so than death. I can understand that a little bit, as I try to embrace unfamiliar thoughts and make them part of my understanding and belief system.
Returning back to Fadl Dan, I believe that his phenotype has more to do with line-breeding so closely to *Fadl, who was similar in phenotype to Fadl Dan. With 3 crosses to *Fadl, close up in his pedigree (*Fadl was his paternal grandsire and maternal great grand-sire and great-great grandsire), Fadl Dan's body build has more to do with *Fadl, than with Kuhaylan Jellabi or Saqlawi Jedran strain characteristics.

EnJoy your horses,
Ralph

PS Please visit Daughter of the Wind and the Michael Bowling articles on the CMK site, for more in-depth information about the subjects.

DAHMAN

"Looking back, you realize that a very special person passed briefly through your life..."~Robert Brault

"Oh my gosh Gail, what a cute colt and he is so black!" I said in complete surprise, as enchanted, I watched a fancy black colt trot effortlessly around his dam, his tail curled over his back, head held high and his giant nostrils fully dilated. Gail smiled broadly in acknowledgement, an unspoken affirmation of the happiness and pride she felt for her colt. I had never seen a colt quite like this before. Already, at such a young age, the colt showed an amazing amount of refinement. Comparing him against the other newly-born colts on the farm, he made them look coarse. Yes, he was really special and the excitement in Gail's voice, conveyed fully what this colt would mean for Princeton Arabians' future.

Pri Gamil Halim was foaled in 1983, sired by Ansata Halima Son and out of Princeton Gamila, a Faaris daughter and one of Gail's most important broodmares. He had all of the elements in his genetic make-up as the Ansata Nile family, with the added influence of the *Nasr son, Sirecho. When you study the pedigree, you may find it interesting that at the very top, through Sheikh el Arab, the sire of Halima, is  Bint Sabah, a Kazmeen daughter out of Sabah, who is a great grand-daughter of El Dahma, an Ali Pasha Sherif mare from 1880, recognized as the foundress of the Dahman Shahwan strain. At the bottom of the pedigree, via Habba, is the same tail female line.  However, somewhere in the middle of all this good stuff, appears Ansata Damietta, who traces to Bukra,  another Bint Sabah daughter. That's alot of Bint Sabah and combined with  the other lines that lead to El Dahma; Pri Gamil Halim had approximately 32 lines to El Dahma in his pedigree, not to mention, because of the reduced number of Blunt desert horses, a significantly higher percentage of authentic Egyptian breeding, as compared to other Egyptian horses. When I started studying Hallany Mistanny and specifically *Zarife and *Roda, I became aware of more authentic Egyptian horses, particularly those horses which descend from the stud of Prince Mohamed Aly Tewfik, who are free of the desert horses that Lady Ann Blunt exported from the desert. In Pri Gamil Halim, his Blunt component is 6.2%, while his Egypt 1 percentage is 86%. In a breeding community where it is challenging to find breeding horses bred differently, Pri Gamil Halim offered that opportunity.

Those were magic moments and back then, I don't think I fully understood the significance of those days. I was fascinated by the colt and I looked forward to arriving at Los Alamos a bit earlier than my scheduled lesson, in the hope of playing and developing a friendship with "Halim". He wasn't a big horse but he was balanced, his proportions harmonious and well-suited to his body. Everything looked like it belonged on him, exactly how he was created, exactly how you would imagine a Dahman Shahwan horse to look.  I thought he was perfect. My mind would wander, thinking about all the possibilities and how much better life would be, sharing it with a colt like this.

 "Alec forgot his problems in the beauty of the stallion as he swept along, graceful in his swift stride, his black mane and tail flying." -Walter Farley, from The Black Stallion

Unfortunately for me, my life was about to change significantly, taking me away from the horses that I loved. By then, I had fallen in love, became married and embarked on establishing a career and family. While I still loved horses very much, a dream like horse ownership was just not possible...for a long time. Although I missed much of his transition into maturity, I did get to see Pri Gamil Halim a couple of times, as a performance horse, under saddle, in the open houses at Los Alamos and I have to tell you, I felt a little like a parent, my heart bursting with pride, as I watched "my not so little anymore" black colt perform as part of a Pas De Deux, set to music.

"Oh my gosh, Halim, what an elegant horse you have become!" I silently whispered, in complete surprise.I was so proud of him, as I watched him focused intently on all that his rider asked of him, his long black tail swishing from side-to-side, keeping time with the music. He was so sweet and willing, demonstrating to all watching, the compliant nature of these horses and why this breed, above all others, are particularly well-suited for people who desire more from their horses. And that's why, no matter what may be happening in my life at any given moment, the happiness I experience from just thinking about horses and all that is possible, helps me to make it from one second to the next. THAT, is a real gift.

EnJOY,
Ralph

La Paloma

Ansata Jacinda

The above mare is the 1979 mare, Ansata Jacinda, an Ansata Ibn Sudan daughter out of Ansata Jezebel (*Ansata Ibn Halima x Ansata Bint Sameh). Immediately, I notice this mare's smoothness, her balance and I realize why I like her so much...she is 50% *Ansata Ibn Halima!! The next thing I realize is that she is tail-female Farida and I understand even more where the strong hip, the smoothness of body from neck-to shoulder-to hindquarter comes from. WOW! And finally, I notice the tail starting to come over her back and I see her dilated nostrils and can just imagine the sound of the SNORT that she will be pulling right from her toes...there has to be some SAMEH in there somewhere. Sameh is the sire of her grandmother. That's what attracted me to her picture: her SAMEH-ness.

 Jacinda produced by Ansata Halim Shah, the 1988 mare, Ansata Jahara.

Ansata Jahara

Ansata Paloma

Bred to Prince Fa Moniet three times, she produced the full sisters: Ansata Princessa (1992), Ansata Palmyra (1993) and Ansata Paloma (1994). I am not sure if Judi Forbis named this mare "Paloma" intentionally, as the word is Spanish for "dove". Considering that Sameh, in Arabic means "one who forgives" and that the dove symbolizes peace, I was astounded and marveled over the relationship of the names. I also find it especially interesting that Ansata Paloma was bred to Ansata Iemhotep at the same time that her dam, Ansata Jahara was also bred to him. In 1998, Ansata Jahara produced the mare, Ansata Jeylan and Ansata Paloma produced the mare, Ansata Julima.
This is a baby photo of Ansata Julima. How do you think she compares to Ansata Jacinda? Ansata Jahara? Ansata Paloma? Can you see family traits, from mare-to-mare? While Julima is pictured as a young mare, having to still grow into her all of her body parts, I prefer the angle of the shoulder found on Jacinda and noticed that the angle got a bit steeper in each succeeding generation. Do you see this? She is a nice filly overall and in looking for Julima on allbreedpedigree, I noticed that she was bred to Adnan, a Salaa el Dine son (out of the Ghazal daughter, Ghazala) to produce a mare by the name of Jomanah in 2003. I would like to see a picture of this mare, to see what happened to the shoulder in the next generation.

Incidentally, Sebastián Iradier, who was born in Lanciego, Spain visited Cuba in 1861 and wrote the famous song La Paloma, two years later. Many people, all over the world, recognize the melody of La Paloma. The song has been performed in many musical styles, by different artists like Dean Martin, Julio Iglesias and Marty Robbins. It is only fitting that Ansata named a beautiful Prince Fa Moniet daughter, after a beautiful song, inspired by a beautiful island. In these last few days of summer (dog days of summer), it is so great to think of tropical breezes, white, sandy beaches and latin rhythms lulling you to sleep.
Happy Summer you all,
Ralph

The Black

I have lost my horse, and I am determined that whatever it takes I will get him back - Raj, from the movie, The Black Stallion Returns

"I saw Ibn Serag during Scottsdale in the late 90's while visiting Julia. He was truly a dynamo of a horse, very animated when I saw him, with an enormous powerful physique and rear end. A little like Gharib in Germany when I saw him in the 80's."-Pam Studebaker

The 1978 mare, Farah Bint Shiko, a Shiko Ibn Sheikh daughter out of Bint el Sarie has an interesting pedigree, as Rashad Ibn Nazeer is the sire of her dam and of her sire. She is 50% Rashad Ibn Nazeer, a Nazeer son out of Yashmak.

She was bred to *Serag, an Anter son out of Bint Om el Saad, a Nazeer daughter out of Om El Saad, a Yashmak daughter. Which intensifies this combination of blood, already present in Farah Bint Shiko. Pam Studebaker who breeds straight Egyptian Arabians at her Saqlawiyat Arabians in Ohio shared the following about the pedigree of *Serag,

"An interesting note on *Serag is that when one traces his pedigree back to the foundation horses of Egypt, then does the same for the original imports of Richard Pritzlaff, they are identical save for one foundation mare in the 1800's, in other words breeding *Serag to Pritzlaff is almost like breeding straight Pritzlaff and one gets those exceptional good bodied and good legged horses with that incredible engine behind."

The combination of *Serag and Farah Bint Shiko produced a beautiful black stallion, *Ibn Serag. Recently, Judi Parks, the stallion's breeder shared her feelings about this lovely horse,

"Ibn Serag was a power-house of body and movement. I think his best feature would have been his strong hip, the well laid back-shoulder and his beautiful movement."

Unfortunately, Ibn Serag died at a very young age, before he was able to sire any get at Julia Byfield's farm, for her Post-58 breeding program. I lament the death of a horse this exceptional, this beautiful, lost forever to our community. When my mind wanders, and I think of how complementary the pedigree of this particular stallion is; I am overwhelmed by the tragedy of the loss.

EnJoy your horses,
Ralph