Billy Graham, Roy Rogers & *Serafix

I think most people will agree that the world, 71 years ago, was a much different place than it is today. Maybe this is an example of what people call "a no-brainer," of course the world is different.  What barely remained of innocence at that time, proved that innocence still existed, despite the horrifying events of WW-II which continued to shape the foreign policy between countries. The rising cold war tension felt at this time would eventually  climax 10 years later, in the form of the Cuban missile crisis. Discovered the year before, in 1953, the polio vaccine was administered to every child, while Bill Haley and His Comets Rocked Around the Clock. However, in the early spring of 1954, Roy Rogers, the "King of the Cowboys" and his horse, Trigger, "the smartest horse in the movies", toured the United Kingdom for the first time, visiting seven cities over a period of 2 months: Glasgow, Edinburgh, Birmingham, Liverpool, Belfast, Dublin and London. Wherever they went, the visit sparked pandemonium among the masses that had assembled to greet them, very much like the hysteria that the world would experience, 10 years later for the Beatles. 

Roy Rogers, who by this time had over 100 films and TV shows to his credit, was at the height of his popularity, through screen, television and radio; his latest role was in the 1952 Bob Hope comedy, Son of Paleface, in which the beloved song and dance number (Roy did the singing, Trigger did the dancing), A Four-Legged Friend, was featured. Roy Roger's theatre tour coincided with Billy Graham's Greater London Crusade, held in Harringay. In a letter that Billy Graham wrote to Roy Rogers, he asked Roy to consider the impact that his presence would make among the many fans that had come to see him, "maybe religion is not for children and old women after all, but it is a real he-man religion." Ultimately, Roy Rogers, his wife Dale Evans and Trigger, attended the crusade, performing at the event and sharing their personal testimonies.  In attendance were nearly 40,000 children who had come to see them. In a thank you letter Roy Rogers received from Billy Graham following the campaign, he had written, “You will never know what a great contribution you made to our meetings here. People are still talking about it. A great many people have received Christ as a result of your coming. Almost every night somebody comes to the inquiry room because they heard your testimony.”

Four years earlier, John Rogers saw *Serafix (Raktha x Serafina) for the first time at a show in London. He was immediately impressed with the quality of *Serafix's movement, his brilliance and overall balanced appearance. One could say that the man was charmed by the flaming red horse. 

"...he was a gorgeous creature, as light on his feet as a deer, as graceful as a gazelle and had the brilliance of eye to appeal to anyone who loved a horse." - John Rogers

A year later, at another show in England (Red Hills), John Rogers watched as *Serafix was pinned reserve champion, while Grand Royal was named grand champion. John Rogers followed Cecil Covey back to the stalls to inquire about *Serafix, whose price at the time was still more than the amount John Rogers wanted to pay, so he purchased 2 mares instead, *Serafire and *Silver Crystal, with the goal of breeding both to *Serafix, once he purchased the horse. John Rogers was determined but patient, he wanted the horse and he would get him, at his price, in time. In the meantime, at his wife's urging, he purchased Natez, a *Witez II son out of a *Raseyn granddaughter, Nafalla. He would need *Serafix, for the Natez daughters. 

On another trip to England in 1954, John Rogers tried once again to purchase *Serafix. A breeder in Australia was also interested in the stallion and like John Rogers, submitted a bid to Lady Wentworth but John Rogers would not have any of that. His price jumped up by 30% more, enough for John Rogers to finally purchase the stallion.

*Serafix, then 5-years old and not saddle trained, spent the next couple of months in training. John Rogers did not want to ship his horse by boat, preferring to ship the horse by air to reduce the level of stress and strain to the horse. Still, he wanted the fitness of the horse improved, so that he could better withstand the hardship of the trip. In many ways, John Rogers, despite the gruffness, was a little ahead of his time in how he felt, treated and cared for his horses. 

As luck would have it, Roy Rogers and Trigger were on their way back to America from their 2-month British tour and *Serafix was able to ride along with *Trigger and his trainer, Glenn Randall to New York. Wherever Roy & Trigger went in this time period, thousands of people would show up. As *Serafix appeared in the doorway of the plane, the crowd gasped. Who is this red horse they wondered.  Did Roy buy another horse while in England? Will he appear in the next movie? People looked at each other, some laughed, some cheered, some cried and some could not take their eyes off the red horse. As *Serafix walked down the plank of the plane, he remembered what the smartest horse in the movies had told him to do. Keep your head held high, ears pricked forward. You are Arabian!  I wonder what else Trigger shared with *Serafix in the hours they spent flying over the Atlantic?

***With many thanks to the following:

The September 1976 issue of The Arabian Horse magazine

Julie Koch of Reliving Arabian Horse History on Facebook

The UK Telegraph article, When Roy Rogers and Trigger brought pandemonium to Britain

The Billy Graham Library, Harringay Remembered

Evie Tubbs Sweeney, When Serafix Flew on a Plane with Trigger

Jim Robbins, We Love Arabian Horses

The Golden Years of the Arabian Horse on Facebook

Without these wonderful sources, this blog would not be possible and I am grateful****

600

Stuart Vesty captured the beautiful Palanga daughter, Parantella

If you are an Arabian horse lover, then this time of the year is uniquely special, as lazy summer days move slowly towards August while the lots for the Pride of Poland auction  and Summer Sale are revealed. Over the years, I have learned that my favorite Polish horses are those who result from Ekstern crossed with *Eukaliptus, particularly when this cross occurs on the maternal side of the pedigree. You know what? There are several horses of this cross in the sale! Back in the day, I felt that the mare, Palanga, was physically representative of how well these two stallions complemented each other.  A successful show mare, many other enthusisats agreed too! Palanga is also an elite broodmare, her  progeny includes Parantella by Kahil Al Shaqab (Marwan Al Shaqab x OFW Mishaahl) consigned as lot 8 in the Pride of Poland auction. When I received the email from Arabian Horse Magazine, I was stunned by her outrageous beauty, as captured by Stuart Vesty's camera. Sparkling white, her fine skin deeply pigmented, how is it even possible to consistently breed horses of this caliber, one right after another? How many other horses like Parantella exist in Poland? Palanga has been a consistently strong broodmare, her progeny also includes the mares Padrona by El Palacio VO (Al Lahab x El Dorada), Palangija by Alert, Petra de Lafon by Shanghai EA, Proxima White by QR Marc and Padova, by Galba (Plakat x Gza Gza), who sold to Qatar in 2011 for $80,000.00. Her sons include Pointer by Sahm El Arab, Palafit by AJ Azzam, and by QR Marc: Pavorotto KA (now with Rohara Arabians), Panthos, Pinco Arab and Profender KA. Parantella is a proven broodmare, having produced a daughter Praksja by Al Ayal AA and colts by KA Nabras and Erantis.

There are 15 horses consigned to the Pride of Poland auction this year. Parantella is just one of the 12 mares offered (additionally, there are 3 fillies). Not to take anything away from Parantella but the unexpected happened to me. As convinced as I was that there was no horse to rival Parantella's beauty, a silent beauty quietly stepped in, to prove that the patent for beauty is not exclusive to Parantella! El Medida is to be adored with the same level of intensity showered upon Parantella. 

Stuart Vesty photo of El Medida
 

The shape of El Medida's neck, including the underline is just, well, impressive. Her neck is longer, well crested, with a fine and roomy throatlatch. Oh my. El Medida, is by the Kahil Al Shaqab son, Morion and out of the Shanghai EA daughter, El Medara. What is really interesting is that both dams, Mesalina and El Emeera, are paternal siblings, Ekstern daughters, meaning that El Medida is double Ekstern and on the dam side, unites Ekstern with *Eukaliptus, through the lovely Emanacja, El Medida's maternal great granddam. 

Her name, El Medida, is an interesting choice of names as Medida means "measure" or better yet, a "standard of measure" as in, "the standard by which all horses are measured."  Since "Medida" is the feminine form, it really does not make sense to use the masculine form, "El"; instead of using the feminine,  "La," as in "La Medida". "El" is more appropriately used with the male form like "Medido" as in, El Medido".

El Medida,  is also a proven broodmare, as she produced a colt foal in 2025, by the 2022 Polish Silver Champion stallion and Parmana son, Ptolemeusz. This is a colt that has captured my imagination, as Parmana is a daughter of the beloved straight Egyptian stallion, Al Maraam.

Stuart Vesty photo of Summer Sale lot 26, Wildarosa

The Summer Sale is on Monday, August 11th. I heard Scott Benjamin say to Samantha Mattocks in a podcast that the Summer Sale is basically a reworking of what we once knew as the Silent Sale and offers buyers the opportunity to purchase an affordably priced mare, as compared to the cost of the horses consigned to the Pride of Poland sale. You wouldn't know this from each of the 28 lots offered, which includes 4 stallions. The horses in the sale are top caliber like Perlesa, lot 20, who is a granddaughter of the Al Adeed Al Shaqab sired Pilarosa or lot 26, the Bialka-bred Wildarosa, a maternal grandaughter of Ganges, who was bred to Wilda, a daughter of the Ekstern-sired, Wilga (double Monogramm) plus Gazal Al Shaqab.  She's bay, she's a taller horse and I appreciate her substance. She has a powerful shoulder, a broad chest and her neck, while not as outstanding as El Medida, is well-set. The classic look of her face is accentuated by the fineness of her skin, which intensifies the  prominence of bone, especially the width of her facial crest bone. She looks every much a desert horse!

Dr. Steven Peters, a neuroscientist, who along with Martin Black wrote and published the book, Evidence Based Horsemanship, recently posted on his Facebook profile, the following quote, "When beauty—whether in nature or art—is fully received, when it’s seen, felt, and welcomed into awareness, it can gently alter the brain, leaving a quiet, clear trace that may change who we are." The quotation suggests that through beauty, we can impact the brain in ways we may never have realized and thereby alter the course of our lives. Think of it, any one of these beautiful mares can do this for you.

***2 years ago, I realized an important milestone, 500 published blog posts. Here I am today, having just finished writing and publishing blog number 600! Many thanks dear readers for your support and encouragement over the past 2 years***

Teodor's Horse

*Witez II

*Witez II, foaled in April of 1938, is representative of the level of excellence that the Janow Podlaski breeding program had reached, in the 20 years since the end of WWI. A son of Ofir, out of Federacja, a daughter of the mare  Koalicja, who was rumored to be a great beauty, possessing "a dry, classical head with soft, expressive eyes."* There has been so much written about *Witez II already, including several books, countless magazine articles and a variety of social media messages and posts. What more can I possibly offer about *Witez II, that hasn't already been written somewhere else? Then, out-of-the-blue, I read The Stallion and His Peculiar Boy, written by M.J. Evans and published by Dancing Horse Press in 2023 and suddenly, this blog started to gradually come together. 

The story begins in 1943, approximately 4 years from the start of WWII, in Hostau Czechoslovakia, where we meet Teodor, his mother and father, who has just told his little family that he has joined a resistance movement, to fight the Nazis. Once he leaves, Teodor, 11 years old, and his mother, Agata, will never see him again. With his father no longer supporting his household; Teodor and his mother fall on hard economic times, despite Agata taking on a variety of odd jobs, work that she can do from her home, while raising her autistic son.  One day, while walking across the village square, she happens upon a conversation that 2 men are having about the increased number of horses, including a recent shipment of Arabian horses from Janow Podlaski. There have been more horses shipped into the Hostau Stud farm, than there are grooms to care for them.  Agata realizes that this may be an opportunity, to better socialize her son, give him a skill set, as well as reducing the burden  she felt financially. Strategically, Agata, suggests a walk to Teodor, to see the new horses. It is sheer magic, when Teodor meets *Witez II for the first time. 

"Teodor looked into the depths of the horse’s liquid, brown eyes. A link of understanding passed between them that surpassed mere affection. An assortment of intensely strong emotions washed over the boy. It was as if this horse was a long-lost friend, or someone he had been waiting to meet his entire life. His gaze remained locked on the eyes of the horse. This is where he belonged." - The Stallion and His Peculiar Boy by M.J. Evans

Dr. Rudolf Lessing, a veterinarian at the Hostau Stud farm  witnesses the encounter between Teodor and *Witez II and promptly decides to hire Teodor as a groom, specifically in charge of *Witez's care. From there, the reader accompanies Teodor on his development as a horseman, as well as *Witez, who matures into the classic Arabian stallion that his ancestry promised him to be.The book, for the most part, is based loosely on historical accuracy,  for the events occurring in Hostau Czechoslovakia, as a result of WWII. Like Linell Smith's fictional characters of Stasik and Stacia, written into And Miles to Go; M.J. Evans created the fictional character of Teodor, an autistic boy.  However, his character is unique, as autism, in this period of time (1930s and 1940s) was not recognized or even, understood. I don't think the story would be as endearing, if Teodor had been anything other than "peculiar." Throughout the story, I wanted to read of Teodor's successes with *Witez II. Easy to read, I enjoyed the book and recommend it.

Additionally, there are a couple books also published concerning the rescue of the horses captured by the Nazis and stabled in Hostau, Czechoslovakia. Both books are more historically accurate and focus primarily on the Spanish Riding School's Lipizzaner horses, however, the following 2 books weave an equally thrilling rescue of the other breeds of horses kept at Hostau, particularly the Janow Podlaski Arabians and  specifically, *Witez II. Elizabeth Letts, published The Perfect Horse, a NY Times Best Seller. The author picks up the story in the last remaining days of the war and while she focuses on the overall story, *Witez II is not only mentioned but appears in the story as well, one of many characters that Elizabeth Letts has assembled for the story.

If M.J. Evans' story is the Steven Spielberg blockbuster and Elizabeth Lett's book is like a History Channel movie dramatization, then Frank Westerman's Brother Mendel's Perfect Horse (as translated by Sam Garrett) is the PBS Nova documentary, as this book delves deeper within the darkness of the time and the genetic engineering that defined the breeding "experiments" under the Hitler regime and the drive to develop a "superhorse" utilizing the Lipizzaner breed. At times, it reads like a thriller and will make your heart race. While the story's primary equine characters are the Lippizaners, you will also be surprised whenever Witez's name appears.

Summer is now upon us, and as we grab that one must have book, to pack with the rest of your summer vacation belongings, maybe anyone of these books will be your summer read of 2025?

Happy summer everyone!

*Many thanks to The Arabian Horse, Poland's National Treasure, written by Zenon Lipowicz & George Zbyszewski, published by Arabian Horse Times, Inc.

Beach Blanket Bingo: Summer Reading 2025

I first learned about the Blue Valley Songbird a few months ago and in that short time, had grown incredibly fond of the pretty bay mare. My best friend from high school had been shoeing horses at Blue Valley Farm, a local Hunter-Jumper stable, when she arrived in a van along with three other horses. "Hey Glenn, would you mind staying a bit longer and checking these new horses for me?" asked Sally, the farm owner.  "I wanted to start working them tomorrow morning, so I can get them ready for the big fall sale. I'll give you something extra, to make up for such short notice. Just watch out for the bay, she's a bit of a smart-ass. Rumor has it that the Smith's found her at one of the BLM lots. Lord knows what she is capable of and I really don't want you to get hurt. Not on my place. I'm not losing everything I've worked for, all these years. Not at all." she said, as she walked away, typical busy Sally, always doing a million and one things, all at the same time. So Glenn led the bay mare cautiously out of her stall and clipped the cross ties quickly onto her halter. A sigh of relief escaped his lips. A little bit wary of the mare, Glenn soon learned that she was none of the things that Sally had said. On the other hand, she was kind, generous and surprisingly, a level-headed, smart mare, unfazed by anything that came her way. "What was Sally talking about?" he wondered.  Glenn became her biggest fan and looked forward to visiting with her, every time he went to Blue Valley. That's when Glenn started to tell me about the bay mare. "Hey Julie, I saw the bay mare today. "Bay mare? What bay mare?" I asked. 

You know, the new horse that I have been telling you about? I think you should check her out. Sally's been working her, trying to get her ready for the big sale. I think you might be able to score a deal with Sally. I don't think she likes her very much and would be happy to get rid of her." Glenn knew that I had wanted a horse for a long time and he felt that the bay mare would be a good match for me. I was a bit hesitant, as I knew my budget was tight but Glenn was persistent and it was time to make this dream, a reality anyway. Blue Valley Songbird, a 16-hand dark bay mare with a white star on her forehead was sired by a recently imported Arabian stallion, who cleverly escaped from his handler's grasp, to stand in a dry paddock with an amorous BLM-adopted mustang mare named "Birdie." The Blue Valley Songbird was foaled a year later, making the Arabian stallion,  a popular halter champion st the national show  also a proven sire. Elegant and refined, the Blue Valley Songbird had big, hard, black feet, clean tendons and hard, dense bone. Sally had purchased her because she looked more like a Thoroughbred hunter and thought she could be extremely competitive in the hunter classes and of course, the top selling horse at her big fall sale. I liked the bay mare because she looked sturdy and dependable, with a temperament that was unflappable, just perfect for a trail horse. Her back was strong and built to carry a western saddle. Glenn agreed with me. He didn't believe that the mare had it in her to be a hunter. Watching Sally work with her in the ring, all the while whipping her tail from side-to-side, conveyed to Glenn how much she disliked the discipline. "Julie, this mare belongs with you. She's not made for the hunter ring. I don't know how long it will take Sally to figure this out. You will give her the quiet life she desires and the relationship with a human that she is craving" Glenn said. So, with the few bucks that I had saved, I went down to Blue Valley Farm, to make a deal with Sally. Except that Sally wasn't going for it, not one bit. "You know Julie, you are starting to piss me off. Where do you get off thinking that $750 is enough money for this mare?" asked Sally. I stared at her blankly, while trying to hold down the glow of embarrassment, as Sally, now in attack mode, continued, "She cost me double that amount of money at the auction. Plus, what about all the money she's cost me since? No ma'am, $750 doesn't rest well with me. For this horse? She's going to be my top seller at the fall sale. I swear to you that she will. She's exactly what everyone wants for the hunter ring.  Come back and talk to me when you have 10 times that amount. Maybe by that time, I'll have another horse like Songbird to sell you." With that, Sally walked away, mumbling under her breath about the cost of hay and feed, while expected to sell horses for next-to-nothing. Julie, on the other hand, despite her disappointment, was more determined to purchase the Blue Valley Songbird, than she was when she first set foot in Sally's barn. But $7,500! WOW! Where would she get that kind of money? She dialed Glenn's number, "Hi this is Glenn, leave your name and number...BEEP." I swallowed hard and heard myself, as weakly, I whispered into the receiver, "Glenn, this is..."

With many thanks to:

 *Photo credit of the blue trim barn: Karrie Bickett, Muse Marketing & Design

*Photo credit of the bay mare: Redbud Ranch, Browns Valley, CA

597 Intangible Glory

Sometimes, a horse will touch you emotionally, in a most unexpected way. The horse will catch your attention long enough, that this exchange between the horse and you will remain forever etched in your mind. This moment can become like a point of transformation, where mind, heart and soul intersect to push you forward into new growth, despite the discomfort of change. In this particular story, Shanghai EA, in the summer of 2019, in Menton, had just made one of the most riveting presentations that an Arabian horse could ever make, for the intangible breed attributes which make this breed so unique in the world of horses.  Yes, Shanghai is really beautiful on the outside but it's the inside of Shanghai, the invisible Shanghai, the thinking, feeling, willing and generous Shanghai that charms everything out of you, to engage you on a very personal level, causing you to fall deeply head-over-heels in love with him. That's what happened to me, Menton 2019. My summer's greatest lesson, after spending many summers chasing Carl Raswan looking for that one thing that he spent so much time searching for, only to discover that I would find it in Menton, a steady gaze combined with the licking and chewing of an Arabian horse. 

Hercules EA (Excalibur EA x Electra EA), as photographed by Javan Schaller

All these years later, that Shanghai experience comes to mind, when I stumbled upon his grandson, Hercules EA a 2016 stallion, also bred by Shanghai's breeder, Albert Sorroca of Equus Arabians. Now owned by Manny Vierra of Valley Oak Arabians in California, Hercules EA is a 2016 son of Excalibur EA, out of Electra EA.

Nazeer

Hercules EA's pedigree is interesting, as it is a full brother to sister mating. Both Excalibur and Electra share the same horses: Shanghai EA crossed with Essence of Marwan EA. The Egyptian elements we noticed in Shanghai EA's pedigree are still there but now are doubled, such as lines to Aswan, Shaker el Masri, El Hilal, Ansata Sinan and Mohssen plus, through Essence of Marwan, he carries a line to Anaza El Farid via Gazal Al Shaqab, as well as additional lines to Hadban Enzahi (via his son Malik), the EAO stallion, Hindi (Korayem x Hindia) and of course, Shaker el Masri, the sire of *El Shaklan. The similarity to Nazeer's phenotype still exists, no surprise, due to the ancestral connection to Nazeer that the Egyptian horses possess. However, there was something else just under the surface that kept nagging at me, like deja vu. I had seen this horse before but where? I searched and searched and searched and that's when I recognized the similarity in phenotype to the world champion maternal siblings out of Navarrone-P: Eternity and Escape. Try as I may, I could not get past the resemblance that Hercules EA shares with them! One can also say that this familiarity in the silhouette extends to Khidar, who is in the pedigree of Shanghai EA, as well as Ansata Sinan, Khidar's sire. Perhaps, Nazeer is the common denominator in all of these horses, and the resemblance, is only a visual representation of the genetics involved, meaning, the resemblance among unrelated horses has more to do with one individual who serves as "common ground" for all. Makes sense?

 

It is also important to recognize the matriline, which goes back to the 1835 mare Sahara, who was purchased in Saudi Arabia by Count Juliusz Dzieduszycki, as a replacement for Zulejma, who had become injured and would not be physically able to make the long trip back to Poland. Sahara would eventually become the foundress of a significant line in Polish Arabian horse breeding. 

Hercules EA (Excalibur EA x Electra EA), as photographed by Javan Schaller

In the past, I have written about straight Egyptian stallions who have created a desire within me to own a mare, just so I could breed to them. Egyptian horses have been my life experience; it's the bloodline I understand best. When I visited Ezzain Arabians in 2013, I felt that I had reached the similar place of understanding that Raswan had reached, when he recognized Ghazal as the authentic horse he had been searching for. The Ezzain horses had turned me upside down and inside out, inspiring me with a new standard for beauty previously unknown to me. Hercules EA creates a similar desire to breed, however, with mares who complement him, regardless of bloodline. That's the difference this time, these particular horses are pushing me to consider the world of Arabian horses without borders, far outside of Egyptian lines. If the name of Hercules means courage, then it is somewhat courageous for me, to consider the full palette of colors available in the community of Arabian horse breeding, to paint a physical masterpiece, sound of body, mind and spirit. This is all thanks to a long ago thinking stallion, who stood upon the sandy beaches of Menton, licking and chewing, as he focused his attention on his person, standing before him.

A Princess Story

Aziza Princess as photographed by Jeff Little

In 2019 and then again in 2020, my end of year countdowns had everything to do with celebrating beloved photos and not so much the most popular blog posts that year. Photos of horses like Serr Maariner and El Thay Mameluk are timeless, and now that these horses are no longer alive, have become engraved upon my heart. These are the images that I see in my mind when I'm thinking "Arabian." One day, not so long ago, Jody Cruz sent the above photo of Aziza Princess and, well, I now have another favorite photo to add to the collection. 

I wrote a blog post on the esteemed Bedouin quality called asalah, which is the prominence of the facial crest bone. The Bedouins believed that the more prominent the bone is, the more authentic the horse. The degree of the flare or protrusion of the facial crest bone, in this particular mare, is really amazing. I am also mesmerized by her larger, deeply black eyes,  placed lower in her head, towards the middle of the skull. Her nostrils are larger in size, deeply pigmented and visually explain why these horses are called "drinkers of the wind." 

Last week, in the blog about Bint Maaroufa, I included a Carl Raswan quote, which explains a few of the attributes that are unique to the Kuhaylan strain horses, which Aziza Princess is. She is Kuhaylah Krushiyah tracing in her matriline to El Kahila, the desert bred mare gifted to King Farouk of Egypt by King Ibn Sa'ud.

"Among the Arabians the KUHAYLAN (masculine type) has the shortest and widest (broadest) head with the most details (fine tracery of veins, wrinkles, 'bumps', bulges, 'tear-bones', etc.) 'engraved' upon its intelligent features." - Carl Raswan, from his article, The Head of the Arabian, published by Western Horseman magazine

And perhaps, that's what I find so intriguing with her photo, the intelligent expression of an all-knowing, intellectually-curious and mentally engaged-with-the-world rosewater mare. 

So who is Aziza Princess anyway, you ask?  Aziza Princess, foaled in 1982, was bred by Bentwood Farm, Waco, Texas and purchased as a yearling by Bill and Georgene Raisner of Temecula, California. The sire of Aziza Princess is the legendary TheEgyptianPrince, a 1967 stallion bred by Douglas Marshall of Gleannloch Farm. TheEgyptianPrince was recognized as an extraordinary sire of broodmares who matured into dams of distinction, creating vibrant families which remain relevant in today’s breeding population. TheEgyptianPrince's genetic influence was concentrated in only a few individuals. Both his sire and dam were sired by Nazeer, while Mabrouka (the dam of *Morafic) and Mouna (the dam of *Bint Mona) were full sisters, by Sid Abouhom and out of Moniet el Nefous. Therefore, *Morafic & *Bint Mona were full-brother and full-sister in blood (not full siblings, there's a difference). In the 4th generation of TheEgyptianPrince's pedigree, the generation of the great-grandparents, normally, the pedigree is populated by eight horses, each horse representing 12.5%. In TheEgyptianPrince's pedigree, one doesn’t find eight horses; there are only four horses, who appear twice, doubling  the percentage to 25% each. It’s that dominating genetic influence and the possibilities that come from working with it, which makes the blood of this specific stallion still so exciting to work with. 

*Bint Shahbaa I (Gassir x Shahbaa)

On the maternal side of Aziza Princess’ pedigree appears the mare, Aziza Samira, bred by Trucilla Enz. Aziza Samira’s dam was the 1960 Shahbaa daughter by Gassir, *Bint Shahbaa I,  a mare who was initially purchased by Ahmed Hamza for his Hamdan Stables. In 1969, she was purchased and exported to America by Trucilla. 

Shahbaa (Hamdan x Shahd)

When the socialist revolution led by Gamel Abdel Nasser occurred in 1952 and King Fouad’s Inshass Stud became part of the newly-named Egyptian Agricultural Organization (EAO) at El Zahraa, General Pettko Von Szandtner personally selected the 1951 mare Shahbaa, a Hamdan daughter out of Shahd (El Moez x Shams), along with her daughter Shaheera by Ghazi, who Judith Forbis had called one of the “loveliest Inshass mares”. For many people who have studied the EAO breeding program deeply and are intimately familiar with the EAO horses, it is Shahd, who is regarded as the matriarch of this family, for she possessed an inner beauty and dignity that was indescribable.

Aziza Princess

Therefore, to connect the lines with the Aziza Princess family of horses, it is in fact, this mare Shahd, who is the maternal great-grand dam of Aziza Samira, the dam of Aziza Princess. It is only through the study of these key horses and for their significance within the greater community of straight Egyptian breeding, that one can better understand their critical importance within the Rancho Bulakenyo program, on their own and blended together with the already-established lines of horses like RDM Maar Hala. The fact that the Inshass mares are a rich source of Ibn Rabdan blood through the use of Hamdan, Gassir and El Moez, offers common ground with the Rancho Bulakenyo horses who also carry a concentration of Ibn Rabdan blood, particularly through the combination of the full brother and sister: *Fadl and *Maaroufa, both of whom are sired by Ibn Rabdan and out of Mahroussa. 

Aziza Princess

Impressed by the quality of the offspring that her daughter, BintAzizaPrincess (whom Jody had purchased in 2008 from the Raisners) was producing for him, Jody also wanted to incorporate Aziza Princess into his program. By this time in her life, she had produced 7 foals for the Raisners, including BintAzizaPrincess, now with Dr. Cruz:

• 1987: Pasha Netta, grey mare by AK Radwan Pasha
• 1988: Princess Pashionet, grey mare by AK Radwan Pasha
• 1989: A-Flair, bay stallion by AK El Zahra Moniet
• 1990: AZ Exotica, bay mare by Abenhetep
• 1991: BintAzizaPrincess, grey mare by Abenhetep 
• 1994: A Z Angelique, chestnut mare by Abenhetep
• 1995: Kai-Ann, chestnut mare by Rofann

Unfortunately for Rancho Bulakenyo, Aziza Princess did not produce the foal that Dr. Jody Cruz had desired for his program. Undaunted, Jody sought Aziza Princess’ 1994 & 1995 daughters, namely BintAzizaPrincess’ full sister, A Z Angelique, whom he bred to the El Halimaar son, Jabbaar El Halimaar MH and produced the mare, Azali Princess MH, who was owned by Rosehaven Ranch. Kai-Ann, the 1995 daughter by *Rofann (*Soufian x Bint Romanaa) was also incorporated into the program and bred to El Halimaar, she produced Romanaa Maara MH. Bred to *Hadban Al Shaqab, she foaled Binte Romanaa MH, the dam of Amira Kahila MH who is now part of Jamie Zissis’ breeding program at Rosehaven Arabian Farm.  

It is interesting to note that in straight Egyptian breeding, 2 strains have dominated the attention and focus of straight Egyptian breeders for a long time: Dahman and Saqlawi. Choosing to breed in a different direction, that is, within the Kuhaylan strain is unique. Jody Cruz made a bold choice to not only incorporate but to also make the Kuhaylan Kurush strain a cornerstone of his program. Little did he realize how his decision would influence not only the Rancho Bulakenyo program, but straight Egyptian breeding all over the world.

***Many thanks to Dr. Joseph Cruz of Rancho Bulakenyo fot sharing your knowledge, experiences and understanding with me. You make these stories possible! Also, I wanted to thank Brittany N Thompson for the 2 additional photos of Aziza Princess and for posting the link to the original blog post.***

A Mare Named Bint 596

This is Bint Maaroufa, sired by Fay-El-Dine and out of *Maaroufa, a straight Babson Egyptian mare bred by the Babson Farm. Pictured in the photo as a mature mare, 23-years old, this is the photo which appeared in the Reference Handbook, Volume 2, published by The Pyramid Society. Mike & Kiki Case of Glorieta Ranch had purchased Bint Maaroufa in old age, with the hope that she would produce one more foal, despite having birthed her last foal in 1969.  She had been owned for most of her life by Dr. Robert LaRue, who bred her primarily to *Raffles line stallions. It is interesting to note that Julyan, sired by Julep (Gulastra x *Aziza) was her one and only straight Egyptian foal and how her influence continues to the present day, in straight Egyptian breeding.

Her dam, *Maaroufa, was incredibly prolific, having produced the following daughters, all sired by Fay-El-Dine  for The Babson Farm:

• 1937: Fa El Maar (grey)
• 1938: Fay Negma (grey)
• 1939: Fay Roufa (grey)
• 1944: Kamama (grey)
• 1947: Maardina (grey)
• 1948: Maarou (grey)
• 1949: El Maar (grey)
• 1950: Fay Ufa (grey)
• 1952: Aaroufa (grey)

With as many mares produced from crossing Fay-El-Dine with *Maaroufa, one can better understand why a beautiful mare as Bint Maaroufa could be sold to another breeder. They didn't need her, as they had ample sources of the cross for the program.  However, Bint Maaroufa was uniquely different in 2 ways, as compared to her full sisters:

• Her chestnut color
• The shape of her head

You would think that these reasons were important enough,  to warrant a replacement filly. To give you an idea, as to how she could produce, Dr. LaRue bred her to the stallion, La Flag (Aaraf x Flaiga), which resulted in the stallion, Golden Pharo, who became an important sire for Phara Farm, reproducing his golden color.

Two years prior to the birth of Golden Pharo, in 1962, Bint Maaroufa, bred to La Flag, resulted in La Ruh, a full brother, also chestnut, who was retained for Dr. LaRue's program. Bint Maaroufa also produced a full sister to the stallions, La Flagette, in 1963.

When Walter Schimanski and Judith Forbis published The Royal Arabians of Egypt and The Stud of Henry B. Babson, they included what I believe, is a much better photo of Bint Maaroufa, closer to what the mare looked like in real life.

The photo, taken by the LaRues, shows Bint Maaroufa, pictured in her youth, at a photographic angle that is better suited for capturing the mare's real beauty.  In a Western Horseman article, Carl Raswan explained, 

"Those 'fanatics' among the desert people who breed Arabian horses for 'Purity' only-for the love of seeing the finest blood perpetuated-judge  a horse from its HEAD first."

 In this particular photo, her head appears much shorter in length, as compared to the color photo. Also, she has a pronounced (noticeable) bulging jibbah, which creates the illusion of a "dish" face. Don't be fooled. Without the jibbah, the nasal profile line would appear straighter and not concave. The placement of her eyes are set a little higher than I would like to see  but the eyes are oval shaped (not round) and larger in size, possessing a deep luster, which gives them the 'liquidy' look. Her nostrils are also larger in size, and cover a large area of the muzzle, accentuating the smaller size of her lower lip. She is a true drinker of the wind. The width of her facial crest bone is impressive, a characteristic known as asalah, which the Bedouin also esteemed in the head of the horse, as it spoke volumes of the authenticity of race in the individual. In Raswan's day, this mare was considered Kuhaylah Jellabiyah, however, today, thanks to the advancement made in genetic science, we know that this mare and the family that she descends from is Saqlawiyah. Still, the description that Raswan offers for qualities unique to the Kuhaylan strain, are more appropriate for what we see in the photos depicting the head of Bint Maaroufa.

"Among the Arabians the Kuhaylan (masculine type) has the shortest and widest (broadest)  head with the most details (fine tracery of veins, wrinkles, 'bumps', bulges, 'tear-bones', etc.) 'engraved' upon its intelligent features."

In some ways, I mourn the loss of her genetic influence, in straight Babson Egyptian form, as she was unique enough, to make a difference within the bloodline. I am still trying to wrap my brain around it, to better understand how a mare of this quality is purged from the program. But maybe her type represented something else to the Babson Farm and a direction that the Farm did not want to pursue. Maybe all the grey mares better represented the ideal Arabian horse that the farm preferred. And, we still have the Babson Brown source through Julyan available as an option, in straight Egyptian breeding. That's something to celebrate, all for the love of a horse.